11.22.2016

DAVID CAROL: No Plan B | 1993-2016

 Boy In Lake, Maine
Photograph (c) David J. Carol

  Joe With Fish, Baffin Island, 1997
Photograph (c) David J. Carol

 Turnaround
Photograph (c) David J. Carol

DAVID J. CAROL   |   NO PLAN B
Trade edition - bound in black
Photographs from 1993-2016. Afterword by Jason Eskenazi

DAVID J. CAROL   |   NO PLAN B
Limited edition - Bound in white, and includes a signed and numbered 6"x 8" gelatin silver print of Gorilla. Edition of 99. Photographs from 1993-2016. Afterword by Jason Eskenazi $150.00

In David Carol's own words, "Hey, did you guys know I'm selling my new book, NO PLAN B, for only $35.00? Did you also know I'm selling the same book in a limited edition with a signed silver print for only $150.00?"

David J. Carol’s new book, NO PLAN B, from publisher Peanut Press, is a retrospective of his uniquely humorous and often surreal personal work from the 1990s to the present. The book is a culmination of images from David’s “road trips” from the Arctic Ocean to post-Soviet Russia, from the Mojave Desert to the streets of Istanbul. Consisting of 32 black and white photographs, with an afterward by renowned photojournalist Jason Eskenazi, NO PLAN B is available in two bindings; the “black” trade edition, and a “white” limited edition, which includes a gelatin silver print signed and numbered by the artist. For sale online at Peanut Press.

The book NO PLAN B coincides with a retrospective exhibition on view at the Leica Gallery Soho, New York from February 1 - March 31, 2017. An opening reception and book signing with the artist will be held February 16 from 6:00 - 9:00pm.


DAVID J. CAROL   |   NO PLAN B
Photographs from 1993-2016
Afterword by Jason Eskenazi


Available in two editions:
Trade edition - bound in black. Limited edition - Bound in white, and includes a signed and numbered 6"x 8" gelatin silver print of Gorilla. Edition of 99. Ships within 2 weeks. 

RUTH GRUBER: PhotoJournalist Humanitarian Author Dies at 105


“I had two tools to fight injustice — words and images, my typewriter and my camera....I just felt that I had to fight evil, and I’ve felt like that since I was 20 years old. And I’ve never been an observer. I have to live a story to write it.”–NY Times

Photographer, journalist, author Ruth Gruber (September 30, 1911 - November 17, 2016) died at age 105. Gruber stumbled into one of the great rescue stories of the Holocaust when the U.S. government appointed her to escort nearly 1,000 Jews across U-boat infested waters to the shores of the United States. I spoke to Gruber for La Lettre on the night she received the International Center of Photography's Cornell Capa Award in 2011 at age 100.



The New York Times Obituary by Robert D. McFadden, November 17, 2016: ….Over seven decades, she was a correspondent in Europe and the Middle East and wrote 19 books, mostly based on her own experiences. Acting for President Franklin D. Roosevelt, she escorted nearly 1,000 refugees from 19 Nazi-occupied nations to a safe haven in the United States on a perilous trans-Atlantic crossing in 1944. They included the only large contingent of Jews allowed into America during World War II. As with many of her exploits, the rescue became the subject of one of her books, “Haven: The Dramatic Story of 1,000 World War II Refugees and How They Came to America” (1983). It was made into a two-part CBS mini-series in 2001, starring Natasha Richardson as Ms. Gruber. Read more in The New York Times…..

11.16.2016

NARCISO CONTRERAS "Libya: A Human Marketplace" Fondation Carmignac | SKIRA

Narciso Contreras "Libya : A Human Marketplace"
Publishers Fondation Carmignac | Editions SKIRA

(click on images to enlarge)

Narciso Contreras  Sabha, March 2016
The corpses of illegal sub-Saharan migrants lie in the morgue of Sabha City, after having been collected from the streets and the desert during previous days.

Narciso Contreras  Zawiyah, May 2016
A group of sub-Saharan illegal migrants and refugees is crowded into one section of the Zawiyah detention center, a warehouse-like facility holding as many as two thousand detainees at any time, making it the largest of it's type on Libyan soil. The center serves as a distribution facility in the human trafficking supply chain, and from here inmates are resold to other militias on the west coast of Libya.

Narciso Contreras  Tajoura, May 2016
Sub-Saharan illegal migrants and refugees on the Tajoura shore after having been arrested in the Mediterranean Sea by the Libyan coastguard. 

Narciso Contreras  Surman, June 2016
Illegal female migrants queue in the prison yard as they are loaded on to buses to be transferred to another detention center, after having been sold by the militia group ruling the Surman detention center in the west of Libya.

+  +  +

I just received a powerful new monograph from the Fondation Carmignac on the theme of Libya by Mexican photographer, Narciso Contreras, the 7th Laureate of the Carmignac Photojournalism Award. It is an elegantly designed and produced book co-published by Fondation Carmignac with Editions Skira, Paris and printed in Belgium. The overall book, beautifully typeset on magnificent paper, belies the dangerous situations Contreras put himself in to bring us this ongoing chronicle documenting the brutal reality of human trafficking as he traveled through the complex tribal society of post-Gaddafi Libya from February to June 2016.

"Contreras lays bare an unfolding humanitarian crisis in which illegal migrants, refugees and asylum seekers are at the mercy of militias who exploit them for financial gain. Held in detention centres for illegal migrants, they are subjected to inhumane conditions. He weaves a compelling narrative to show how, instead of being a place of transit for migrants on their way to Europe, Libya has actually become a trafficking market where people are bought and sold on a daily basis. He provides us with a glimpse of the complex and horrifying context migrants are faced with."

 Narciso Contreras,
7th Laureate of the Carmignac Photojournalism Award
"Libya: A Human Marketplace"
Texts by Narciso Contreras and Ela Stapley
Hard Cover, 102 pages, English+French
ISBN 978-2-37074-043-4

Production: Fondation Carmignac, Direction: Gaia Donzet, Carmignac Photojournalism Award Gestion, Direction: Emeric Glayse, Communications manager: Valentine Dolla, Photo Editors: Patrick Baz, Narciso Contreras, Text: Ela Stapley, Photography & Investigation: Narciso Contreras, Publisher: EDITIONS SKIRA, Senior Editor: Nathalie Prat-Couadau, Editorial Coordination: María Laura Ribadeneira

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In 2009, the Fondation Carmignac launched the Carmignac Photojournalism Award with the aim to support, each year, a photojournalist in undertaking a photographic and investigative assignment exploring a theme or an area of the world at the centre of geostrategic conflicts. Selected by an international jury, the Laureate receives 50,000 EUR that enable him/her to spend time into the field, as well as a fully-financed monograph and a touring exhibition of the project.

Created in 2000 by Edouard Carmignac and directed by Gaïa Donzet, the Fondation Carmignac has three strands: the corporate collection comprising nearly 250 contemporary works of art, the annual Carmignac Photojournalism Award led by Emeric Glayse, and the Foundation's project to open an exhibition space and a sculpture park to the public on the preserved site of Porquerolles (Var). Edouard Carmignac’s desire to share his passion for contemporary art, promote freedom of expression and increase awareness of contemporary world issues led him to the creation of this Foundation.

Upcoming Carmignac Photojournalism Award exhibition: Saatchi Gallery, London, May 16–June 16, 2017

11.07.2016

ANDERSON + LOW: James Bond's SPECTRE

Photograph (c) Anderson + Low

Book Signing "On the Set of James Bond's SPECTRE"
ParisPhoto November 12, 3pm

Anderson + Low
"On the Set of James Bond's SPECTRE"
Book Signing: 12, November, 2016, 3pm
Hatje Cantze stand F4
Paris Photo, Grand Palais

This project is based on the brilliant artifice of the spectacular sets from the latest James Bond movie, SPECTRE. Shooting entirely at Pinewood Studios, UK, we highlight a head-on collision of fantasy and reality by photographing the sets’ massive scale and extraordinary detail. Allowing the bare soundstage to intrude on the images would normally shatter the illusion of the sets. In this case, however, it has the reverse effect and enhances the sense of illusion, artifice and wonder.

Five prints from this project were released to coincide with the film premiere (November 2015) at Phillips, London. The rest of the project was exhibited at CWC Gallery, Berlin in June 2016 to coincide with this book's publication by Hatje Cantz.

SARA JANE BOYERS : DETROIT in PARIS

Photograph © Sara Jane Boyers

Photograph © Sara Jane Boyers

Photograph © Sara Jane Boyers

DETROIT
November 10 – December 24, 2016
69 ave Daumesnil, 75012 Paris
Opening Reception, November 10, 6:30pm (18h30)

11.05.2016

MONA KUHN: NEW WORKS in PARIS

Photographs (c) Mona Kuhn

Photograph (c) Mona Kuhn


"MONA KUHN: NEW WORKS"
NOVEMBER 4 TO DECEMBER 17, 2016

Galerie Catherine et André Hug
40, rue de Seine / 2, rue de l’Echaudé
75006 PARIS

11.03.2016

KACPER KOWALSKI: Fade To White

 Copyright © Kacper Kowalski. All rights reserved

 Copyright © Kacper Kowalski. All rights reserved

 Copyright © Kacper Kowalski. All rights reserved

Copyright © Kacper Kowalski. All rights reserved

Fade To White 
by Curator Bill Shapiro

Before Kacper Kowalski was a fine-art photographer, he was a pilot . . . and before he was a pilot, he was an architect. So perhaps it’s not surprising that he looks at the world the way an architect looks at his blueprints: from the top down. Of course, in these days of drones and Google Earth, it’s hard to bring people a landscape they haven’t seen before. Which is precisely what makes Kacper’s pictures so remarkable: From his paraglider, 500 feet above the earth, he turns everyday locations into striking ethereal scenes, capturing a symmetry, drama, and dreaminess we didn’t know was there.

We’ve all seen the work of high-flying aerial photographers who travel to exotic locations and bring us back bird’s-eye images of the Great Wall, Great Pyramids, or Great Barrier Reef. But Kacper made the decision long ago to uncover beauty in the humble forests, working farms, and industrial landscapes within driving distance of his home in Gdynia, Poland, a port city on the Baltic Sea. And so he obsessively crisscrosses the area, often during the coldest, most forbidding days of winter when he has the skies to himself.

When I was the editor of LIFE magazine, I was continually nudging the staff to “show us something we’ve seen before in a way we’ve never seen it.” This is actually incredibly difficult, and yet Kacper does it with each image. He can photograph a place we might pass every day, but compose the picture so masterfully as to render it as a never-before-seen abstraction—a visual puzzle open to interpretation. That sense of surprise is one of the reasons I love curating his work: Sometimes you have no idea what you’re looking at even while it feels incredibly familiar. Holding those two sentiments at the same time is exhilarating. In that way, Kacper’s pictures are like moon rocks: prosaic in one sense and at the same time absolutely alien and absolutely thrilling.

Kacper’s previous project, Side Effects, focused on the friction between mankind and nature, and the discordant beauty that that conflict reveals. His latest work, a series titled Over, looks at the land after that struggle has been decided; he captures the traces of mankind upon a quiet Earth where you feel the presence of humans but never quite see them.

Kacper’s photographs (as well as his book, Side Effects) have been honored with numerous awards, and his work has shown everywhere from Paris and Beijing to Copenhagen, Vienna, and Moscow. But his exhibit opening at The Curator Gallery this week is only his second in the United States, and I feel fortunate to be able to bring seen-it-all New Yorker's a little something they haven’t seen before.  – Curator, Bill Shapiro

 The Curator Gallery, Chelsea
520 West 23rd St, NY
November 3 – December 17, 2016
Curated by Bill Shapiro

Kacper Kowalski’s photographs have been honored by World Press Photo (2009, 2014, 2015) and Picture of the Year International (2012, 2014, 2015, 2016), among many others. His first book of photography, Side Effects, received awards from Photo District News and the Moscow International Foto Awards. He lives in Gdynia, a port city in northern Poland.

Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine and, later, as the founding editor of the award-winning website LIFE.com.  He is currently the Director of Editorial & New Business Enterprises at Fast Company and sits on the Art Advisory Board for the SXSW festival.


10.18.2016

NARCISO CONTRERAS : 7th edition Carmignac Photojournalism Award 2016

Garabuli Detention Centre © Narciso Contreras
for the Fondation Carmignac

EXHIBITION
 
Libya : A Human Marketplace
25 October - 13 November 2016
Hôtel de l’Industrie
4 place Saint-Germain-des-Près -75006 Paris
Monday to Sunday from 11am to 7pm
Special Openings to 10PM:
28 October, 4 November and 11 November 2016
Free admission

In the heart of post-Gaddafi Libya, Contreras lays bare an unfolding humanitarian crisis in which illegal migrants, refugees and asylum seekers are at the mercy of militias who exploit them for financial gain.  Held in detention centres for illegal migrants, they are subjected to inhumane conditions including overcrowding, lack of sanitation and vicious beatings..

Contreras tells how he grappled with complex and at times surreal bureaucracy and logistics, picking his way through areas torn apart by sectarian violence in order to visit detention centre after detention centre.  Frustrated by the government´s unwillingness to grant him access, Contreras was forced to circumnavigate the official channels and cultivate his own contact with people smugglers and tribespeople, which enabled him to understand the reality of trafficking in Libya.

Throughout this report, Contreras weaves a compelling narrative to show how, instead of being a place of transit for migrants on their way to Europe, Libya has actually become a trafficking market where people are bought and sold on a daily basis.

With this report, Narciso Contreras provides us with a glimpse of the complex and horrifying context anonymous migrants face.

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As part of the 2016 Visa pour l’Image Festival in Perpignan, Fondation Carmignac has announced the 7th edition of the Carmignac Photojournalism Award has been awarded to Mexican photojournalist Narciso Contreras.

Contreras is an award winning documentary photographer born in Mexico City in 1975. Since 2010 he has been covering a variety of issues and topics in Southern Asia and the Middle East, leading him to focus his work on the humanitarian cost of conflicts, economics and wars. His work intends to contribute building our visual memory of the world he testifies.

His studies in philosophy, photography and visual anthropology led him to live and study in a monastery in India while photographing religious communities. Since then, Narciso has photographed under reported issues like the ethnic war in Myanmar and the forgotten war in Yemen as well as some of the major current events like the political upheavals in Istanbul, the conflict in Gaza, the military coup in Egypt, the war in Syria and the tribal conflict in Libya.

Narciso’s work in Syria was awarded with one of the Pulitzer Prizes in 2013, and got recognition in Pictures of the Year International. He has contributed to magazines and media outlets around the globe like TIME magazine, The Guardian, The New York Times, Paris Match, RT TV, MSNBC News, AP Associated Press, Los Angeles Times, Foreign Policy, Der Spiegel, Newsweek, Al Jazeera, The Daily Beast, National Geographic, The Sunday Times magazine, The Telegraph, The Washington Post, CNN, Wall Street Journal, L’Espresso, Expressen, Knack, dS Standaard, Wirtschafts Woche, among others. He also has contributed for non-governmental organizations like MSF (Doctors Without Borders).

He is currently photographing the migrant’s crisis in North Africa as part of a long-term project of documentation based on the worldwide conceived phenomenon of a “massive human displacement”.

+  +  +

Fondation Carmignac announced the 7th edition of the Carmignac Photojournalism Award has been awarded to Mexican photojournalist Narciso Contreras.

JURY

Brett Rogers, Director of The Photographers’ Gallery (London) ; Patrick Baz, Photojournalist and Founder of the Photo Desk for the Middle East and North Africa at Agence France Presse ; Reza, Photojournalist ; Janine di Giovanni, Editor-in-chief for the Middle East, Newsweek ; Thierry Grillet, Chief Curator of Bibliothèque nationale de France (BNF) ; Mikko Takkunen, Photo Editor at the New York Times ; Christophe Gin, Laureate of the 6th Carmignac photojournalism Award

10.06.2016

LENSCULTURE 2016: Enter Emerging Talent Competition : Discount For Photo-Students

6

LensCulture Seeking 50 of the World's Best Emerging Photographers selected by an International Jury from all cultures, all points of view, with no age limit.

PHOTOGRAPHY STUDENTS: Receive a 30% discount off your entry fee, plus personalized written feedback from an expert about your photo submission, plus a chance to be included in a group exhibition at the ICP Museum in New York, and lots more! 

Deadline to enter is October 18. Great exposure for entrants: See over 250 inspiring entries so far in our online gallery of Editors’ Picks. Full details here: lensculture.com/emerging-talent-awards-2016

10.02.2016

MARYMARY (projects) : Pop-Up Photography Gallery, 2 Rivington Street, NYC


Mary Ehni has partnered with Maria Dubon to open a temporary gallery to exhibit the work of a group of three young photographers whose work offers an intelligent and original use of photographic material.  The exhibition will run October 4-16, 2016 with the opening reception on Friday October 7th.  It will be the first of several forthcoming efforts.

MARYMARY (projects)
2 Rivington Street, NYC
October 5–16, 2016
Opening Reception October 7, 6-9pm

9.28.2016

JULIE WILLIAMS-KRISHNAN: Kalacharam at The Griffin Museum of Photography

The Third Eye 
Photograph © Julie Williams-Krishnan


The Bindi Collection  
Photograph © Julie Williams-Krishnan

Morning Poetry 
Photograph © Julie Williams-Krishnan

Kalacharam means “culture” in the south Indian language Tamil. Julie Williams-Krishnan has been traveling regularly to Chennai in south India since 2007. These nearly annual trips are made to visit her husband’s family, who is based in Chennai. Williams-Krishnan, a caucasian originally from a small town in Pennsylvania, uses her photography as a way to observe, process, and celebrate her growing familiarity with her south Indian family and the region. The three bodies of work on display here are all shot in the family home, where Tamil is spoken, Brahmin traditions are strictly observed, cooking is elaborate, and prayer is plentiful.  Photography is her way of translating her understanding of a place that is her home, but even after all these years, remains fascinating.  

The Griffin Museum of Photography
October 6 - November 27, 2016
Reception Oct 6, 7 - 8:30
 
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Zindagi
The Griffin Museum of Photography
 October 6th – November 27th, 2016
Reception: Oct 6, 7:00 – 8:30

Zindagi will feature solo exhibits and 3 videos by five photographers; Manjari Sharma, Priya Kambli, Dan Eckstein, Quintavius Oliver and Raj Mayukh Dam.

Manjari Sharma will be exhibiting 9 large pieces from her “Darshan” series. “Darshan is a series consisting of photographically recreated, classical images of Hindu Gods and Goddesses that are pivotal to mythological stories in Hinduism.”

Priya Kampli will be exhibiting from her “Color Falls Down” series. Missouri artist, Kambli said, “My photographs, which are rooted in my fascination with my parents, visually express the notion of transience and split cultural identity caused by the act of migration.

Dan Eckstein’s “Horn Please” exhibit features the brightly decorated trucks that ply India’s country’s roads and the men who drive them.  

Quintavius Oliver is exhibiting pieces from his “Love Made Me Do It” series; what it meant for him to throw himself head first from home and into the unknown of India.

Raj Mayukh Dam will be exhibiting 3 videos on daily life in India. The three videos feature the people of Sundarban, the last ritual of “Antyesti “and the Festival of Color of Life called “Holi.”
 

9.18.2016

'DAY OF THE DEAD': PhotoWorkshop with Magdalena Sole and Elizabeth Avedon

 Photograph © Magdalena Solé


Our workshop is surrounded by the excitement of Mexico’s most revered festival, the Day of the Dead. The Day of the Dead is an indigenous tradition, celebrated every year from October 31st to November 2nd. The “Día de Muertos” is an original and photogenic cult known in the world for its grandiosity and mystery but at the same time, for its warmth and intimacy.

It is a life enriching experience to participate in the greatest of all Mexican rituals among a sea of candles, the smell of “Cempazuchil” (Marigold, the flower of the dead) and the stunning street dancers of the Etla valley. Graveyards, where people commune with the dead as well as altar’s in people’s houses will serve as exquisite backdrops to create amazing photographs.

The 2016 Day of the Dead Photo Workshop in Oaxaca is a 9-day intensive for committed photographers of various levels. Oct. 26th – Nov. 3rd. Celebrations, and processions will be present through the entire length of our workshop, however they will reach their peak during the days of October 31 and November 1st, at which times we planned activities that will immerse us in the experience of commemorating the dead.

Please join us for a unique Photographic Workshop, which will cover major topics • Work on an individual Project with daily one-on-one sessions with Magdalena and Elizabeth • Learn the art of editing and sequencing through lectures and demonstrations • Learn how to create a photobook and prepare for an exhibit • Photographing the mystical Day-of-the-Dead rituals with access to the most significant events



Photograph © Selma Fernández Richter




9.17.2016

KAMOINGE: "Breaking Point" at Photoville

'R.I.P. Mike Brown'
Photo by Radcliffe Roye

'American Seen'
Photo by Ming Murray Smith

'Negroes Unite'
Photo by Albert Fennar

Kamoinge at Photoville
Join the photographers of KAMOINGE Wednesday, September 21st from 4-10pm for the opening of their exhibit "Breaking Point" at Photoville in Brooklyn. The work showcasing will be forty-four photographs bringing into focus our pride, love and the state of emergency America has been in for almost sixty years.  
 
Presented by Kamoinge / United Photo Industries
Curated by Russell Frederick

Featuring KAMOINGE Photographers: Eli Reed, Russell K. Frederick, Adger Cowans, Shawn Walker, Ming Murray Smith, Albert Fennar, Daniel Dawson, Radcilffe Roye, Salimah Ali, John Pinderhughes, A.D. Minter, Frank Stewart, Gerald Cyrus, Ray Francis, Lou Draper, Herb Randall, and June DeLairre Truesdale

"On November 4, 2008, a nation divided for centuries came together to make history by electing America’s first black president. This achievement has proven to be more symbolic than substantive. The United States is at a breaking point as people of good conscience and clearer consciousness demand real change, while others mobilize to maintain a power structure that continues to produce inequality, injustice, separation and xenophobia. The African diaspora has often not been represented fairly in media, with diversity on the rise in our infrastructures, mobile technology and social media platforms expanding, opportunities to author our stories are slowly starting to increase. As the world sees more unfiltered imagery change is being demanded. While committed to the image, Kamoinge has been inspired visually by jazz, soul, rhythm & blues, reggae and rap musicians to document or create fine art that reflects the African diaspora in a dignified manner. The work exhibited in ‘Breaking Point’ brings into focus our love and the state of emergency we are living in America for almost sixty years." KAMOINGE, Inc. was founded as a collective of African-American photographers seeking artistic equality and empowerment. It works as a forum in which members view, nurture, critique and challenge each other’s work in an honest and understanding atmosphere. 

www.photoville.com/breakingpoint


9.11.2016

NICK BRANDT: "Inherit The Dust" Short Films



TWO SHORT FILMS ABOUT “INHERIT THE DUST”
A few months ago, I made, wrote and narrated two new short films about the concept and production of INHERIT THE DUST. The films were produced by the wonderful Fotografiska Museum in Stockholm, who through May-September 2016, held a major exhibition of Inherit The Dust, now sadly ended. The next major museum exhibition of Inherit the Dust will be at the Multimedia Art Museum in Moscow, May-July 2017. Buy the large format book of the series, "Inherit The Dust". – Nick Brandt